[-empyre-] "What is Bare Life?"
Hi to all,
After reflecting about "what is bare life?", I will address some
issues that approach this question and that are related to some of my
projects. The situations that I find more defying are those when I
can promote or be in close relation with people, and I must confess
that I find that as seductive as disturbing.
In 2002 I made a performance via mobile phone called artphone. This
happen during Free Manifesta (in Manifesta 4). There was a flyer and
an online page with my personal mobile phone number and the sentence:
"Don't be afraid to ask everything you always wanted to know about
contemporary art". I received the calls and established a
conversation (about an art issue) either with someone I knew or with
someone I have never met before. In the version of 2005, presented at
prog:me, I used skype phone and the visitors could talk to me
directly from the exhibition space. Even though both experiences went
quite well and it was not very difficult to overcome some shyness or
awkwardness, every time I talked with a person it was a very intimate
experience. Carlos Sansolo (one of the curators of Prog:me),
expressed this controverse feeling - of pleasure and fear - quite
accurately:
"The Portuguese artist Susana Mendes Silva proposed the artphone.
The idea is quite simple, she provides her address so we can talk to
her through a microphone and headphones from the computer about
contemporary art, using the computer as a telephone. I have talked
many times with Susana, never about art, always about technical
issues and always presenting one other artist that appeared while
talking to her. Actually talking to an unknown person on the phone
gives you a certain degree of intimacy that I always felt terrified
about. As a matter of fact, I have always felt a certain compulsion
to confessing things to this unknown voice. My first thought is
always about the history of sexuality of M. Foucault, about this fear
of confessing in intimate moments. She says, "have no fear, ask me
what you've always wanted to know about contemporary art", and all I
felt was fear. The simple presence of a voice that talks about
contemporary art has the ability to inspire disturbing or great
situations for whoever contacts it. We may think it is a reflection
on intimacy on the internet. The work is not only a proposition, but
the result of this chat that can never be completely predictable.
Carlo Sansolo, In Notes about the curatorship and exhibition of the
first new medias festival in Rio de Janeiro.
A completely different experience was art_room, where I used a
webchat called webcamnow. My performance was developed in the context
of Identidades Virtuais workshop, and I had set a schedule during the
month of June. When I began the performance, on the first day, I went
to room 1 to announce what I was doing by simply posting the
sentence: "Don't be afraid to ask everything you always wanted to
know about contemporary art". I moved to a free room (from 30 rooms,
only three rooms had people in them), and I began to have
conversations with some of the people. I soon realize that some of
the users felt like they "own" the website (no matter what room I
moved into), and they began to become very aggressive towards me. If
you see the still image of me during the performance, you will only
see my eyes. I was hiding behind my powerbook, because some of the
users kept saying that I was showing off too much (even if I was
decently dressed). In order to avoid some visual disturbance, I ended
up "veiled" by my computer...
The result was totally the reverse from the other experiences...The
experience of a certain degree of intimacy, soon lead to fear acted
as aggressivity and exclusion. In the second day I was expelled from
the "family and friends" area: my camera was shut down, and I was
disconnected as a user by the moderator (just because he felt like
it...he confessed it, when I later protested signed as a new user).
At first I was really furious and sent a complaint letter (that was
never answered), but soon I realize that this experiment was very
fascinating and revealing of how a human community can function - in
a social and political sense - no matter what kind of media you are
using or what kind of space you are at.
related: http://www.turbulence.org/blog/archives/001121.html
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